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Miguel Gómez y Molina

Miguel Gómez y Molina

Looking at Miguel Gómez?s paintings and drawings, we easily discover that it is not a language that reflects the daily things, the conventional. The information exceeds the logical mind
The Galery in ARTNET

I was born on January 11Th, 1968 (year of the Monkey) during my education,I lived in Madrid (Spain), Broadstairs (England), Paris (France), Lausanne (Switzerland), Idar-Oberstein (Germany) and Santa Monica (United States of America) where I dealt with different matters, specializing myself in gemology and jewellery design.

My interest for painting or drawing, as you may want to define my work, comes from childhood, but soon I got bored painting cows in the art academy where voluntarily I asked to be inscribed ... I started directly painting what I felt and what I wanted, I have therefore little academic art background but I experiment a lot and I am charmed with it ever since.

Soon I felt influenced by all the big creators from El Greco to Picasso, Durer and Eschert, Kandinsky and Dalli to Peter Zimmermann.

My passion is colour and its use as a tool capable of making that colours individually help the whole work turn into a complex world.

The union of time, drawing, collage and colour as well as the white spaces and black of the China ink has become, as all of you say, a well differentiated, even recognizable style, well then, it is one of my passions, an entertainment for me, though it turns into an expression of my emotional moment.

For you, it will be a constant discovery, while studying thoroughly my work, a new element will be revealed to you, a universe that will immerse you in a playful search.

MIGUEL GÓMEZ Y MOLINA CREATIONS // "DOORS TO MISTERY"

Looking at Miguel Gómez´s paintings and drawings,

We easily discovered that is not a language that reflects the daily thing, the conventional. The information exceeds the logical mind. The prominent figures and scenes tell tales out of the reality, They are descriptions that do not fit to the temporary or the historical time and questions come :

What`s this ... is it a psychoanalysis ... is it an exorcism ... are they visions ... dreams ... astral trips ...? Wherefrom comes all that?

It is possible that it is everything previously mentioned and more, but abstracting us of this initial confusion, letting the curious soul without prejudice and childish, penetrate in the pictures one can discover that these are other worlds, that they are another reality or they are different ways of perceiving reality. Miguel´s pictures are a full universe of diverse characters, with expressiveness, with breath of being, with own live granted by a creator who also provides them with personality and individuality, all of them in conexion with the scene, with criterion and order, to weave the warp of a history in unusual spaces, where each one flies and moves depending on undefinable energies.

It is a whole evocative universe of constant suggestions. They are poems full of symbolic allusions, with a sweeping plasticity, with a fantastic and very particular zoology, Capable of composing stories wrapped in the mist and opening doors for the mystery.

There is a very reiterative topic in many of Miguel Gómez´s pictures, they are his allusions to time. He uses profuse symbolic elements to which he provides with worrying mystery, as worrying is time itself: uncontrollable, slippery, abstract and concrete, so precise and irritating.

There is a phrase that Miguel writes in someone of these pictures - " time is mine " - sounding as loud scream with the energy of thunder and the property to produce a cavern, that shelters and isolates those confused souls of the buzz ,of the daily and alienating problem. A place where silence can be listened, where the feeling of abstraction is pure and the mind´s in rest.

Amador Braojos
2006 Dog´s year


NEVEREND-LAND EXISTS

The surrealism acquires in your work a dose of mystery and imagination that moves the visitor to a world of fantasy, a world of tales that made us dream the most when we were children.

Castles, witches, animals and warriors talk about a fantastic time that you control up to the second and which we can only feel. "El tiempo es mio"is much more than a title,is a policy, a principle. It means the acceptance that your work and an important part of your life are in perfect tunning. Probably, it is your more secret facet but also one of the most surprising for being so unexpected.

The drawing and the color, even the lack of it, are controlled as well as time and this capacity also surprises the one who dives into your works. Art is a way of difficult progress, but you make it easy as if it was a game or a conversation.

There are in your work an endless number of secret messages, of songs and signs that as a labyrinth forces the visitor to navigate in it as keys of your imagination, on garlands and automatic scrawls up to finding a paradise that has much to do with your own life, or rather with your way of seeing and living through a life that confirms that never-end land really exists.


Fernando Francés
Managing Director CAC Málaga
Málaga 2007
Miguel Gómez y Molina
 
Miguel Gómez y Molina
 
Miguel Gómez y Molina
 
Miguel Gómez y Molina
 
Trilogía Acuática
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IV
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Sin Titulo
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Océanos de Coral
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Signos de Fuego
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Altamira
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Paseo por la playa
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Doble personalidad
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El cuervo
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Mujer Mantis
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La Buena
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El Bien y el Mal
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Séptimo Cielo
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Dragón de las Revelaciones
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